![]() On this Website, please contact us at +49 (0)30 235 908 500. If, at any time, you have specific questions or concerns about the accessibility of any particular webpage The range of assistive technology is wide and varied. To make the Website as accessible as possible some issues can be encountered by different assistive technology as Please be aware that our efforts to maintain accessibility and usability are ongoing. The Web Content Accessibility Guidelines (WCAG), which also bring the Website into conformance with the Americans UsableNet Inc, a leading web accessibility consultant to help test, remediate and maintain our Website in-line with To accomplish this, Titelmedia has engaged To persons with disabilities including users of screen reader technology. Of its Website, Titelmedia strives to ensure that its Website services and content are accessible Titelmedia (Highsnobiety), is committed to facilitating and improving the accessibility and usability Kehlani's 'While We Wait' is available to buy or stream. The result is music that feels like a gentle breeze. There is a moment on “Butterfly” that encapsulates the way Kehlani uses simple gestures, rather than sweeping statements, to express the ways in which she falls in and out of love: “I see you duck and dodge at every bend/ It’ll make you no less of a man/ To break your walls and simply grab my hand.” While We Wait is filled with these sorts of incisive lyrical runs, delivered in Kehlani’s divine vocals and packaged in fluid, ‘90s R&B-inflected production. It does show her progression as a keen songwriter who shines a light not only into the vast, dark, ambiguous gulf that exists between any two people, but also on ways in which they might build a bridge across it. While We Wait isn’t quite the parade of (should-have-been) smashes that ran through SweetSexySavage. They feel organic and lived-in compared to the sort of punchlines that rappers like Big Sean hang their hat on. These sorts of lines work because she deploys them in moderation and almost in passing, without any sort of expectant pause. As strings drift over a souped-up breakbeat, Kehlani works in a fast food slogan (“This ain't BK, you can't have it your way”) and later drops a quietly devastating burn about the entry-level hygiene achieved by most men (“I know I'm fine, don’t need outer confirmation from a man/ Who uses 2-in-1 and thinks he's a sensation”). “Nunya” segues into “Morning Glory,” another mixtape highlight about a man who doesn’t like the way she looks her after she washes her makeup off at night. Her pen is impressively sharp throughout Cooing harmonies set the mood as she casually curves this would-be lover and floats en route to a head-turning chorus: “You put on a show/ 'Cause you don't want the world to know/ That you lost a girl who got it on her own.” Dom Kennedy shows up long enough to sleepwalk through a verse peppered with cringey bars like “My heart on my sleeve, check the tag.” In the wise words of Twitter user “Dom Kennedy is just a plumber that raps at this point.” “When I walked away/ I left footsteps in the mud so you could follow me,” Kehlani sings, remembering a relationship that faded gradually, almost imperceptibly. It’s a fitting opening for a mixtape defined by its soft edges. “Footsteps,” the first song on While We Wait, begins with balmy guitar and the sound of waves lapping on a beach. On “Too Deep,” she sings of a physical relationship that loses its blissful, no-strings-attached simplicity as it develops an emotional component: “I don't wanna think less of you, no / I just wanna see the best for you.” If love is a double-edged sword, WWW is filled with tender songs sensitive to its every nick and cut. The title refers both to her upcoming album and the imminent birth of her daughter, who is due in March its nine songs are perhaps a nod to the nine months of pregnancy. Rather, she delivers a tightly written, fundamentally sound nine-track project that nevertheless feels expansive in its portrayal and navigation of modern relationships. On her new mixtape While We Wait, Kehlani doesn’t tinker with her proven formula. On You Should Be Here and her 2017 debut album SweetSexySavage, Kehlani parsed the emotional currents running through her turbulent childhood, her suicide attempt, and ongoing relationships to produce clear-eyed songs about love, sex, angst, and wellness her luminous voice suffusing her every word with a profound sense of hope. She emerged sounding this way on her breakout, Grammy-nominated 2015 mixtape You Should Be Here (released four days after her 20th birthday), fully-formed not only as a vocalist but also as a songwriter. ![]() ![]() It’s cliché but true Kehlani’s voice sounds like a ray of sunshine. ![]()
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